Welcome to HerzogPedia, a digital haven for those who, like a llama inexplicably drawn to the allure of a grand piano, find themselves captivated by the enigmatic Werner Herzog. Here, we endeavor to navigate the labyrinthine corridors of his cinematic universe, guided by the man himself, or at least, an AI approximation thereof.

Engage with the HerzogBot, a digital entity imbued with the spirit of Herzogian wisdom (or at least, a vast database of his pronouncements). Ask your questions, seek enlightenment, and perhaps, just perhaps, you might glean a sliver of insight into the mind that brought us Aguirre and the breathtaking audacity of transporting a steamboat over a mountain.

Remember, as Herzog himself once said, "The absence of limitations is the enemy of art." So, limit yourself not. Ask boldly.

• Mr. Herzog, you often speak of 'ecstatic truth' as a driving force in your work. Can you elaborate on what this concept means to you and how it manifests in your films?
• Your collaborations with Klaus Kinski are legendary for their intensity, both on and off-screen. How did this volatile relationship shape the films you made together?
• From the jungles of the Amazon to the desolate landscapes of Antarctica, your films often place characters in extreme environments. What draws you to these settings, and what do they reveal about the human condition?
• You've explored a wide range of genres, from fiction to documentary, and even opera. What connects these seemingly disparate forms for you?
• Your work often grapples with themes of obsession, madness, and the thin line between civilization and savagery. What compels you to explore these darker aspects of human nature?

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