Welcome to ShearerPedia, the ultimate, always-evolving, fan-curated repository of all things Harry Shearer!

This ain't your father's encyclopedia, folks. This is a living, breathing tribute to the man of many voices, the comedic genius, the musician, the writer, the director, the...well, you get the picture.

Think of it as a constantly-updating, interactive Q&A session with the man himself, powered by the magic of AI (and a little help from you!). Ask our Harry Shearer chatbot anything, from his early days as a child actor to his iconic roles on that certain animated show we're contractually obligated not to mention by name.

But wait, there's more! ShearerPedia is a collaborative effort, a symphony of shared knowledge, if you will. If you have a juicy tidbit, a fascinating factoid, or a hilarious anecdote about the man himself, don't keep it to yourself! Share it with the world (or at least with other Shearer aficionados) through our chatbot, and help us make this the most comprehensive and entertaining Harry Shearer resource on the web.

So, what are you waiting for? Dive in, explore, and let's celebrate the man who once said, "I'm not a voice actor. I'm an actor who does voices."

• You've been involved in both radio and television for decades. How do you see the two mediums as distinct art forms, and do you have a preference for one over the other?
• From 'This is Spinal Tap' to your work on 'The Simpsons,' you've been a master of satire. What do you think are the essential elements of effective satire, and what responsibility do satirists have in today's world?
• You've worked with some of the biggest names in comedy. Are there any collaborations that stand out as particularly memorable or influential on your own work?
• Your character, Derek Smalls, had a brief but memorable solo music career. What was the inspiration behind that project, and how did it feel to step out from behind the mockumentary format and into the real music world?
• Looking back on your long and varied career, is there anything you would have done differently, or any advice you would give to aspiring performers and satirists?

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